"Charlie Morgan Jones' lighting allows the body to be seen by Macbeth (and the audience) only to disappear again. It's quite breathtaking."
- The Stage
Macbeth,
Theatre Severn
"...excellent use of lighting by Charlie Morgan Jones allows such sorcery... "
- The Article
Das Rheingold,
Longborough Festival Opera
"Charlie Morgan Jones' impressive lighting design helps to firmly locate each scene, filling the magical land of elves with a warm fireside glow, while the world of humans begins in a bleached-out grey that's suddenly illuminated by the rippling spectrum of some gorgeously realised northern lights."
- The Stage
The Snow Queen,
Rose Theatre, Kingston
"The staging was blessed with a perfect foundation in the shape of Adrian Linford's realistic tenement set...and the whole was topped off by Charlie Morgan Jones's atmospheric lighting."
- Opera Magazine
Street Scene,
Royal Conservatoire of Scotland
"Boy Blue's aesthetically spare, atmospherically lit and ultimately redemptive depiction of depression..."
- The Stage
REDD,
Barbican
"...the lighting by Charlie Morgan Jones fades to a foggy amber, while sound levels recede, then pulse forwards..."
- The Sunday Times
REDD,
Barbican
